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Title: Beware, My Lovely

• Released: 1952-08-29


• Genre: Drama, Crime


• Date: 1952-08-29


• Runtime: 77 Minutes


• Company: RKO Radio Pictures


• Language: English


• Budget:


• Revenue:


• Plot Keyword : Drama, Crime


• Homepage:


• Trailer: Video Trailer


• Director: Alfred Herman, Albert S. D'Agostino, Mel Berns, Darrell Silvera, Clem Portman, John L. Cass, Larry Germain, Harry Horner, Michael Woulfe, Leith Stevens

Plot Beware, My Lovely (1952):

A psychopath on the run takes a job as a handyman at the house of a lonely widow.

Casts of Beware, My Lovely:

Ida Lupino, Robert Ryan, Taylor Holmes, Barbara Whiting, James Willmas, O.Z. Whitehead, William Talman, Dee Pollock, Jimmy Mobley, Jeanne Eggenweiler

Trapped by a man beyond control!

User Rating: 5.8 out of 10 ★ From 19 Users

Read More About Beware, My Lovely

The Man, The Play & The Actor.

We are in a small town, a homely widow (Ida Lupino) hires a handyman (Robert Ryan) to look after her house. She soon starts to regret it as Ryan grows erratic by the hour, it appears that she is host to a dangerous schizophrenic, and now she is unable to escape her house.

Beware, My Lovely is adapted from Mel Dinelli's (The Spiral Staircase) story and play called "The Man". Pretty much a one set movie and a two character driven piece, the film boasts two great central performances and offers up an interesting take on mental illness. One however shouldn't be fooled into thinking this is a violent and nerve shredding picture, because it isn't. It's clear from the get go that Ryan's Howard Wilton is a dangerously troubled man, but this is a different sort of "peril" movie, one that throws up another slant on psychosis and thus making it difficult to hate our dangerous protagonist.

Ryan and Lupino are a great combination, they had also done the excellent, and far better, On Dangerous Ground this same year. So with both actors clearly comfortable together, it brings out a finely tuned character story all based in the confines of one house or prison as it were. Ryan is particularly strong as his character flits in and out of madness, with some scenes powerful and at times inducing fear, while at others garnering deep sympathy. The direction from Harry Horner is safe (he in truth doesn't have to do much other than let his actors run with it) and George E. Diskant's cinematography contains some smart and impacting visual touches -with one involving Christmas tree baubles immensely memorable.

Falling some where in between being average and great, picture has enough about it to make it a recommendation to fans of borderline and easy to follow film noir. For fans of Robert Ryan, though, it's something of an essential viewing, oh yes, and then some. 7/10